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Your Life is a Trip
The Wild Pair
©
2003-2008- GlobalAdventure.us
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Despite the
predominance of modern attitudes and Catholic faith in the islands
of the South Pacific, the people of the Marquesas Islands still
have close encounters with terrifying, shape-changing ancestral
spirits. PAUL ROSS travelled to the land of the tupapau to hear
their stories. All photographs by the author.
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Even
today's live Marquesan islanders can be menacing. How much
more so are their dead ancestral spirits when they return
as tupapau?
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Fifteen-year-old Tahiatohiupoko Hita (sometimes known by his obligatory
Western nickname of 'Martin') used to be just like most contemporary
Marquesans: modern, staunchly Catholic and unbelieving of Polynesian
legends and superstitions - largely because he didn't know them.
But all that changed late one afternoon during a ride across his
home island of Ua Pou. At dusk, as he approached a high ridge,
his mount balked; eyes wide, nostrils flared, its neck fought
the tightened reins as Martin struggled to keep control of the
terrified animal. He looked around, but could see nothing unusual.
Despite the hot trade winds there was a distinct chill in the
air. The hair stood up on the back of his neck.
SUDDENLY
AN ENORMOUS BLACK CAT BOUNDED FROM THE OPENING OF THE CAVE
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'Martin'
guides tourists around his Marquesan home island of Ua Pou,
but doesn't volunteer stories of the tupapau.
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Without consciously knowing why, Martin
looked upwards to a nearby cliff face and noticed a small cave
he'd never seen before. Suddenly, an enormous black cat bounded
from the opening, landing silently only two metres from where
Martin and his horse were now frozen to the spot. The cat looked
directly at him for a few seconds that seemed an eternity, then
turned, walked off slowly in the opposite direction, and vanished
from sight as though it had never been there. The horse instantly
calmed down; its rider, though, could not. He knew that there
were no big cats on the island.
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It
was in these ancient burial caves where he encountered one
in the form of a big black cat.
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He was still visibly shaken when he
arrived home, and his mother asked what had happened. When he
told her, she immediately, and with great concern and secrecy,
sent for a senior family member. The relative told Martin about
the tupapau, ancestral spirits that can take many forms, both
animal and human. The hillside cave, it turned out, was an almost
forgotten ancient burial site. Foreign archæologists had never
violated it, and so the spirits were still strong. Martin was
a lucky boy, the old woman exclaimed; sometimes the tupapau do
bad things to people.
Nearly 20 years later, Martin retells
the story as though it were yesterday. He's still Catholic, but
now he's also a believer in a very old tradition.
ONE FEMALE
SPIRIT OFTEN MATERIALISES WITH A PET OCTOPUS ON HER SHOULDER
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The
ancient and modern worlds exemplified in the half-and-half
tattooing of artist George Barff.
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As well as appearing, as in Martin's
experience, as ABCs, tupapau are also said to favour the animal
forms of dogs and pigs, all black and very large. Dr Robert Suggs,
a leading authority on Polynesian culture and published specialist
on the Marquesan Archipelagos 1, says that belief in the
tupapau goes back to the very origins of the Pacific
island peoples and their ancestral home on the south China coast
some 6,000 years ago. Tupapau, he explains, "have tremendous spiritual
power." The word itself, common in both the Marquesan and Tahitian
tongues, can mean 'spirit' or 'cadaver' in its original Austronesian
form which, Suggs states, "is the most widely distributed (pre-European)
language on Earth .from Madagascar to Easter Island." Along with
the language, many of the religious underpinnings of the culture
survive today.
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Dr.
Paul Wallin stands before the digsite on the Maeva Hill
complex.
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Sometimes the two worlds, ancient and
contemporary, meet, as when, just a few years ago, ghostly drumming
and ancient chants were heard at night in the jungle on Nuku Hiva,
another Marquesan island. The unearthly racket was driving the
locals to sleepless distraction, so a Catholic priest was prevailed
upon to perform an exorcism. According to local reports, the rite
proved successful. It seems, then, that the tupapau can be subject
to the outside influence of popa'a (non-natives). If such cross-cultural
contact is possible and, as islanders allege, tupapau favour the
ancient places that are tapu (sacred), had Dr Suggs or any of
his fellow archæologists ever experienced anything of this netherworld?
After all, they were excavating in bone-filled burial caves and
maea (ceremonial places), probably the most sacred sites of all.
Despite oral history claiming that
departed spirits always rally at a beach site on Nuku Hiva
as a takeoff point for the next world, Dr Suggs says he has
never experienced anything more than an "uneasy feeling" at
certain times during his explorations there. But his co-workers,
outsider and native alike, have reported seeing and hearing
strange things, and finding that objects are randomly moved
about in classic poltergeist fashion. Dr Suggs hastens to
add that, based on his research, tupapau are not perceived
as inherently evil, but they are extremely touchy when it
comes to people trespassing on sites that are tapu. In the
old days, he says, "there were so many tapu places that locals
had to zigzag around them to get anywhere on the island."
Even today, he tells me, at one vahi-mana (place of supernatural
power), there is a female spirit that regularly materialises.
with a pet octopus perched upon her shoulder. Sounding like
a cross between a Disney character and Casper the Friendly
Ghost, she's friendly, helpful and "appears to people in the
state between awake and asleep" to aid in healing.
Western-raised and educated Teikimaa-kautoua
('Pascal') Erhel Hatuuku returned home to his Marquesan island
after completing schooling, contracted a fever and was in
a hypnogogic state when he saw an old man standing outside
his room, staring in at him intensely and repeatedly asking
in a whispered rasp, "Aren't you afraid of me?" When Pascal
replied that he wasn't, the old man began citing the evils
that Pascal had committed during his lifetime. This litany
was designed to instil fright, but in his semi-conscious state
Pascal remained curiously detached. Their conversation continued
through most of the night. Nobody else in the house - including
a relative sleeping in a hammock adjacent to the room - heard
anything. Pascal reflects that, through the experience, he
has learned deep and profound things about his culture and
experienced a personal reconnection to it; he has refused
to tell anything further to any outsider.
RAYMOND
HAD ALLIES IN THE OTHER WORLD WHO WOULD HELP HIM IN BATTLE
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Scientist
and tohunga Raymond Graff is a pivotal figure in the
ongoing struggle between modern archeology and traditional
island moresf.
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This is far from the case with
effusive, charismatic Raymond Graff. He too came back after
an education in the world beyond the islands, and stays connected
to the modern world through his presidency of the local Harley-Davidson
Club. A controversial character, Graff is either viewed as
a fire-walking tohua (spiritual leader) spearheading a return
to ancient traditions or, conversely, as self-promoting, opportunistic
and, in one particular instance, detrimental to scientific
work. 2
Graff's personal tupapau anecdote is even more confrontational
than Pascal's. Graff relates the adventure as if it were a
spiritual pro-wrestling match. albeit one without a predetermined
outcome. Alone on a jungle river bridge one moonless night,
Graff "sensed something" and instinctively knew what it was.
He shouted out a challenge: "If you want to fight me, I'm
ready!"
In one corner, shadow spirits and, in the other, a human.
Graff added that he had allied ancestors in the other world
who would aid him in battle. Then - nothing. He walked on
that night without incident. "Tupapau are more afraid of me.!"
he concludes. Local legend often credits "strong mana" (a
composite of soul and life-force) with providing protection
from tupapau but Graff claims that, in his case, it probably
helped being born at night near a sacred tupapau stomping
ground where his mother saw "a flying coffin."
The tupapau are also said not to
like water and more than one tale is related about a 'friend
of a friend' whose spiritual possession was instantly reversed
by an ocean baptism. This trans-cultural religious permeability
is not a total surprise in a country where statues of Jesus
and Mary are openly referred to as "Catholic tikis." In French
Polynesia, as in many colonised and missionised places, pre-European
contact beliefs became syncretised with dominant Christianity
or merely went deeply underground. The siege against indigenous
practices has been going on for a long time. In his first
novel Typee 3, which was
based upon his experience of jumping a whaling ship in the
Marquesas and includes a lot of historically accurate material,
Herman Melville bemoans the fate of the "poor Hawaiians" whose
culture and identity where being destroyed by missionaries,
and this is in mid-1840! The latest ongoing crusades have
come from contemporary Christian evangelicals and the Mormon
Church.
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Now
reclaimed by jungle, this ancient ceremonial site on
the island Huahine is one of the most important in all
of Polynesia.
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Raymond Graff and a few select
others are attempting to lead a renewal of commitment by French
Polynesian islanders to their traditional roots, even to the
point of rejecting European dress and religion. (Similar actions
are being undertaken by native peoples all over the world,
from New Zealand to America.) While some aspects of this ideological
battle, such as the recreation of ancient spiritual rites,
can be dismissed as minor rear-guard skirmishes, others -
political actions and legal confrontations - cannot.
THE
ANCIENT SPIRIT OF THE ISLANDS IS STILL ALIVE HERE
Despite increasing amounts of bureaucratic
red tape, brand new excavations have recently taken place on
the Mara'ire'a hill complex on Huahine, carried out by Dr Paul
Wallin of Norway's Kon-Tiki Museum 4
and Dr Reidar Solsvik of the University of Oslo. Extending
the fieldwork of the eminent Polynesian archæologist Dr Yoshihiko
Sinoto 5,
a series of 35 large stone foundations (pi-pi or pae-pae) for
walls, terraces, houses, marae and burial platforms have been
cleared from the jungle. Preliminary carbon dating indicates
occupation as far back as the 13th century and supports current
theory about centuries of Pacific migration emanating from the
island of Ra'iatea, some 18 miles (29km) eastward 6.
While this research is ongoing, questions
of authenticity, ownership, preservation, reconstruction and
tourism are drawing definite lines between island authorities
and outside scientists.
"There is no local funding to continue (to preserve) the new
dig site," says Dr Wallin, whose personal commitment to Polynesian
island culture includes a new ankle tattoo, which is partly
for decoration and partly for unspecified protection. When asked
if he believed in tupapau, he merely smiles and shrugs enigmatically.
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Mysterious,
evocative and foreboding, the throats of old volcanoes
form the peaks of the Marquesan island of Ua Pou.
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"Even if you don't believe in indigenous
traditions," begins Paul Atallah, a transplanted American who
is one of Raiatea's top tourist guides 7
and is married to an islander, "you should respect them." He
once innocently made the mistake of whistling at night. This
completely terrified his then girlfriend, who told him that
the act could literally "whistle up a ghost" just as certainly
as evil thoughts could summon a tupapau.
So the ancient spirit of the islands
is still alive in the remote Marquesas. Gauguin painted it,
8 local natives remain wary of it, and even visitors
occasionally have a brush with the phantom phenomenon.
If you want to take the chance, the distant islands and atolls
of French Polynesia can be accessed surprisingly affordably
aboard the hybrid freighter/cruiseship Aranui III. (http://www.aranui.com/)
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NOTES
1 Dr Robert Suggs, The Island Civilizations
of Polynesia, New American Library, New York, 1960.
2 A prominent ceremonial site, painstakingly
reconstructed after research by leading Polynesian archæologist
Dr Sinoto from Hawaii's Bishop Museum, was reconfigured by Graff
"from a vision" in a move that's as political as it is controversial.
3 Herman Melville, Typee: A Peep at Polynesian Life, 1846
4 www.kon-tiki.no
(Ironically, Thor Heyerdahl's groundbreaking premise about Polynesian
origins in South America has been discounted. There are, however,
remaining mysteries, like how the New World sweet potato found its
way to the middle of the South Pacific ocean.)
5 YH Sinoto and E Komori, Settlement pattern survey of Mata'ire'a
Hill, Maeva, Huahine, French Polynesia, Department of Anthropology,
BP Bishop Museum, Honolulu, 1988. Dr Sinoto is the recipient of
Japan's highest cultural honour, the Order of the Rising Sun, and
was knighted by the President of French Polynesia for his lifetime
of work.
6 Ra'iatea's ancient name was Havai'i and is thought to be the emanation
point of Polynesian ali'i culture through present-day French Polynesia
(which includes the Society Islands as well as the Austral, Gambier,
Tuamotu and Marquesas Archipelagos and atolls) and from Aotearoa
(New Zealand) to Rapanui (Easter Island) to Hawaii. Many people
may have migrated to flee the theocratic rule and human sacrifices
of the priests of 'Oro, the war god. Both Raiatea and Fakarava islands
are sources of new archæological and history-changing information
to be scientifically presented over the course of the next couple
of years.
7 www.island-eco-tours.com
8 Manao Tupapau [literally "to remember the spirit"] (1892). A new
Gauguin museum, complete with a reproduction of his infamous Maison
du Jouir (House of Pleasure), debuted during the recent 100th anniversary
of the artist's death at the village of Atuona on the island of
Hiva Oa, not far from his gravesite and just a headstone's throw
from the final resting place of the great Belgian singer-songwriter
Jacques Brel.
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